03/09/2013

24 hours to go and counting... #BUFF2013 (sponsored by Jilali Argan Oil UK)

 
 
WATCH COUNTDOWN TO BUFF 2013 (sponsored by Jilali Argan Oil UK) TONIGHT AT 9PM, SKY CHANNEL 539 / VIRGIN CHANNEL 233
 
 
 
The British Urban Film Festival (BUFF) is back for 2013! From the opening event at Channel 4's London headquarters (tomorrow) through to its fourth day on Sunday at Genesis Cinema in Whitechapel, BUFF will be bringing you the very best in urban filmmaking from across the UK. A distinguished collection of names from the worlds of independent film, television and theatre will feature as part of what is shaping up to be an electric four-day line up!

Once again, Community Channel is proud to be a partner of the British Urban Film Festival and will bring you a superb night previewing the start of BUFF 2013. It will be packed full of films and features to get you in the mood, kicking off with a Preview Show that takes you behind the scenes and hears from the talent involved.

For more information, festival schedule and exclusive content, visit: www.britishurbanfilmfestival.co.uk

Find BUFF on Facebook and Twitter

BUFF 2013 Night - Wednesday 4 September

BUFFCOUNTDOWN TO BUFF 2013
21:00
A special preview show counting down to the start of BUFF 2013 on Thursday 5 September. Join Kyla Frye, Lyrical Healer and Shereen Miranda as we feature a range of fantastic interviews with some of this year's British Urban Film Festival headline makers. We'll also bring you some special features as part of this one-hour programme, including a guest appearance from actor Riz Ahmed!
More Details: britishurbanfilmfestival.blogspot.co.uk

One Mile AwayONE MILE AWAY Dir: Penny Woolcock
22:00
In this award-winning documentary from filmmaker Penny Woolcock, we follow the attempts of two warring gangs - the Burger Bar Boys (B21) and the Johnson Crew (B6) - to bring peace to their neighbourhoods in inner city Birmingham. This film will demonstrate how film and the determination of ordinary people can help to transform even the most entrenched of social problems in modern Britain.
More Details: www.channel4.com

Drink Drugs KFCDRINK, DRUGS AND KFC Dir: Aml Ameen
23:50 - Watch On Demand
Drink, Drugs and KFC is the directorial debut of The Bill and Harry's Law star Aml Ameen, exploring the dynamics of the friendships between a group of young boys growing up in London. Comical, yet heart-warming at the same time, we see Nathan and friends Max, Derek and Skipper head to an under-18 rave - the cue for drama, jokes and fights all in the name of teenage bravado and hopes.
More Details: www.imdb.com

The Healer In MeTHE HEALER IN ME Dir: Winsome Duncan
00:30 - Watch On Demand
Lyrical Healer explores the vast underground music and poetry scene, tapping into a world of entertainment where new artists remain hungry as talent continues to go unrecognised. The Healer in Me follows Lyrical’s musical journey that has led to collaborations with composer Andrew Campling and Chicago jazz singer Natalie Oliveri and shares Lyrical's thoughts on what it takes to be in the music industry.
More Details: www.lyricalhealer.co.uk



Follow the conversation online with @JArganOilUK @buffenterprises #BUFF2013 #JILALITIME

04/08/2013

2013 British Urban Film Festival programme is released (05/08/13)





Today #BUFF2013 can officially reveal the line-up of films, presenters and fixtures confirmed for the 2013 British Urban Film Festival. Among the line-up are distinguished names from the worlds of independent film, television and theatre.



#BUFF2013 will have a panel of experts offering opinion and debate as part of ‘Distribution D-Day’ - the opening event of the festival - from Channel 4 headquarters in Westminster on Thursday 5 September. Enrico Tessarin (co-producer of ‘The Knot’) will be joined by fellow movie producers Alan Mcqueen & Dean Fisher, film festival agent Rebekah Louisa Smith, sales agents David Cornwall & Sarah Chammartin, entertainment lawyer Tobi Olujunmi, Nadia Denton from BUFF, and Sarah Chorley from Shooting People – all qualified to give the best insight to delegates on the subject of distribution. Joining the panel as guest filmmakers will be the brothers Naeem and Ash Mahmood who will be introducing a presentation on their forthcoming UK movie ‘Brash Young Turks’.



The 2nd event on day 1 is an encore screening of ‘The Key’ presented by actress Kyla Frye who will be joined by a panel of guests including Jimmy Akingbola from BBC’s ‘Holby City’ as they discuss what the key is to succeed in business and entertainment.



The actress Shereen Miranda will introduce the final event on day 1 at Channel 4 headquarters featuring the live performances of 3 scripts selected by BUFF as part of this year’s inaugural scriptwriting competition.  The scripts to be performed will be ‘Face Up’ written by Yvonne Ossei, ‘Lost in Mozart’ by Jeff Nottingham and ‘The Office’ by Donna Marie Dowe. 


All events being held at Channel 4 are free to attend and can be booked here:

http://buff2013.eventbrite.co.uk/      



On Friday 6 September, Metro film editor Larushka Ivan-Zadeh will host the live Q&A for the opening night gala movie from Odeon West End in Leicester Square – the International premiere of ‘Calloused Hands’ starring Andre Royo from HBO’s ‘The Wire’. Based on the true story of its writer/director Jesse Quinones, Calloused Hands is about a 12-year-old mixed race boy from Miami (Luca Oriel) with aspirations to be a baseball player. He is abused by his mother's boyfriend Byrd (played by Royo), and neglected by his mother Debbie (Daisy Haggard). He manages to forge his own path in life when his long-lost grandfather Solomon (Hans Howes) insists he study for his Bar Mitzvah.  


Actor and filmmaker Aml Ameen will also play a part in the opening night coverage with the UK premiere of his latest short film ‘Hoorah’ in which he stars and directs.


You can watch both films on Friday 6 September for £11.95 (+ booking fee) available from Odeon West End box office 

http://www.odeon.co.uk/films/british_urban_film_festival_2013_opening_gala/14732/  
 
  

Other BUFF 2013 screenings (to be shown on Saturday 7 September at Oxford House in Bethnal Green) include UK gangster movie ‘Latvia' 

http://www.wegottickets.com/event/236308 

plus the prestigious BUFF shorts UK showcase and the preview screening of ‘Quality Control’ (an interactive music television showcase). Join entertainment journalist Akosua Annobil, the ‘Quality’ man and live performances from some of the featured artists.  

http://www.wegottickets.com/event/234950


The BUFF shorts to be shown will be Driftwood, Pretty Bitch, Don’t let the door hit you on your way out, Cha Cha Cha, Love Prevails, The other side of the wall, 2008, Notes, Been a riot, Glimpse & Ambition to live. 

http://www.wegottickets.com/event/234951


Film journalist Jessica Mellor will host the live Q&A for ‘The Man Inside’ – directed by Dan Turner (also on Saturday 7 September) starring Ashley ‘Bashy’ Thomas, David Harewood, Ray Panthaki, Michelle Ryan and Peter Mullan.




Day 4 of the festival (to be shown on Sunday 8 September at Genesis Cinema in Whitechapel) starts with ‘The Fade’ – a feature length documentary from the producer of award-winning film ‘David is Dying’ (Andy Mundy-Castle). 


The penultimate screening on Day 4 is BUFF’s 1st world premiere – the screening of ‘Traveller’ starring musician and actor David Essex OBE, Billy Cook (son of David Essex) and Jason Maza (‘Victim’/‘The Knot’). Join Film journalist Jessica Mellor for full coverage including the live Q&A.  


#BUFF2013 closes at the same venue with the UK premiere of the award-winning mockumentary ‘Bloody Lip’ directed by Adriel Leff and starring Patrick Koupland. Join writer and actress Anjela Lauren Smith for the final live Q&A of the festival. 


You can watch any film on Saturday 7 September and Sunday 8 September for £10 (+ booking fee) available from Oxford House box office and Genesis box office respectively.




Alongside the festival (sponsored by Jilali Argan Oil), BUFF will screen a special preview show on Community Channel presented by Kyla Frye, Winsome Duncan & Shereen Miranda. Broadcast on the eve of the festival, the programme will have key interviews with some of the headline makers + special features including a guest appearance from actor Riz Ahmed. Also showing as part BUFF’s on-air coverage will be the documentary ‘One Mile Away’ (directed by Penny Woolcock).

 

The BUFF shorts to be shown online on Monday 9 September will be Love Nest, Reckless, The Ting & Sea Change. Also to be shown online (free for a day) is the movie Woolwich Boys.


#FF @buffenterprises & @JArganOilUK on Twitter for daily updates on the festival coverage




The schedule (sponsored by Jilali Argan Oil):


#BUFF2013 presents… “Countdown to BUFF 2013”

Presented by Kyla Frye, Winsome Duncan & Shereen Miranda


4 Sept/9.00pm/Community Channel (Sky 539/Virgin 233) Also available on BBC i-player, Youview & BT Vision.

Dir: Emmanuel Anyiam-Osigwe/Dayo Balogun (60mins)



#BUFF2013 presents… “One Mile Away”

4 Sept/10.00pm/Community Channel (Sky 539/Virgin 233)


Penny Woolcock's award-winning documentary charts the attempts by two warring gangs, the Burger Bar Boys (B21) and the Johnson Crew (B6), to bring peace to their neighbourhoods in inner city Birmingham. It follows Penny Woolcock's hip hop musical 1 Day, which was partly informed by these postcode wars.


Dir: Penny Woolcock (91 mins)



4 Sept/11:50pm/Community Channel (Sky 539/Virgin 233)       

#BUFF2013 presents… “Drink, Drugs & KFC” (REPEAT)

Dir: Aml Ameen (27 mins)



5 Sept/00:30am/Community Channel (Sky 539/Virgin 233)

#BUFF2013 presents… “The Healer in Me” (REPEAT)

Dir: Winsome Duncan/Josh Horwood (20 mins)




#BUFF2013 presents… “Distribution D-Day”

Tickets: FREE (chaired by Emmanuel Anyiam-Osigwe & guests)

5 Sept/2.00pm/Channel 4 HQ/90 mins



#BUFF2013 presents… “The Key”

Tickets: FREE (including live Q&A with Kyla Frye & guests)

5 Sept/4.00pm/Channel 4 HQ/90 mins



#BUFF2013 presents… “The BUFF Live Script Readings”

Tickets: FREE (including live Q&A with Shereen Miranda & guests)

5 Sept/7.00pm/Channel 4 HQ/2 hours




#BUFF2013 presents… “Hoorah” (UK PREMIERE)

Tickets: £11.95

(including ‘Calloused Hands’/INTERNATIONAL PREMIERE + live Q&A with Larushka Ivan-Zadeh and special guests)

6 Sept/7.30pm/Odeon West End



The opening night gala for BUFF 2013 kicks off with the UK premiere of short film ‘Hoorah’ directed by and starring Aml Ameen (featuring soon in ‘The Butler’). Hoorah is about a discharged military veteran who discovers his wife and best friend murdered when he arrives home. Panicked and surprised, he calls the police, then begins to investigate the scene for clues.  As he scans the scene he notices certain objects that look all too familiar. He then discovers a semi-automatic handgun sitting directly across from the lifeless bodies.  The horrific events that took place begin to unfold.



Dir: Aml Ameen (USA/15 mins)

followed by “Calloused Hands” - Dir: Jesse Quinones (USA/100 mins)




#BUFF2013 presents… “The Man Inside”

Tickets: £10 (including live Q&A with Jessica Mellor, Dan Turner & guests)

7 Sept/1.30pm/Oxford House



Clayton Murdoch (played by Ashley ‘Bashy’ Thomas) carries a terrible darkness inside him. As a boy he was exposed, by his father (played by David Harewood), to murder and gang culture, With his father now in prison, Clayton struggles to overcome what he was groomed to become, in a city where every day there is a constant threat of violence and death. Clayton channels his aggression into boxing. Controlled, powerful, contained. However, when the violence starts to destroy his own family, Clayton loses control, and the darkness within him is unleashed. And now, to get the revenge against those who have taken his loved ones, he must ask the one man he fears the most for help, his father. With everything around him falling apart and the full shocking fury in him let loose, Clayton must look death in the face and find out who is the man inside. Also starring Peter Mullan, Ray Panthaki, Michelle Ryan, and Jason Maza.



Dir: Dan Turner (UK/99 mins)




#BUFF2013 presents… “Latvia”

Tickets: £10 (including live Q&A with Shereen Miranda & guests)

7 Sept/4.15pm/Oxford House



If you're looking for a British urban film in its purest form, look no further than Latvia, a film which pulls no punches and is set against the backdrop of love and guns. Set in London, it's the story of two young men and the greed and violence that corrupts their childhood friendship. Starring Jack Miguel, Stephen Joseph, Daniel Fleurie, Martha Mackintosh and Tony Resta.



Dir: Barry Derbyshire (UK/84mins)



 
#BUFF2013 presents… “Quality Control” (UK PREMIERE)*

Tickets: £10 (including live Q&A with Akosua Annobil, & guests)

7 Sept/6.15pm/Oxford House



Quality Control is the fresh, innovative and daring music concept that is re-defining the parameters for music programming and allowing audiences to dictate who they want to see in this quality laden show. The culmination of nearly two years dogged determination, now sees the brand and movement that is Quality Control (now supported by The Arts Council) gain intense momentum within the industry and of course the public through their use of the exclusively designed mobile app that allows critical social interaction and creates a unique and alternative QC Music Chart. Produced by 4Front Media, Quality Control is set to be the next big thing in music entertainment programming whilst taking the Twittersphere and application world by storm!



Total running time: 90 mins

*Quality Control will also be shown at Channel 4 HQ on Thursday 5 September at 5.45pm. The Channel 4 screening is an invite-only event and is not available to the public.




#BUFF2013 presents… “BUFF Shorts UK”

Tickets: £10 (including live Q&A with Emmanuel Anyiam-Osigwe & guests)

7 Sept/8.15pm/Oxford House



Traditionally, one of the highlights in the British Urban Film Festival schedule, the UK’s most talented directors in short film come together to celebrate the pick of this year’s BUFF selections. Join festival director, Emmanuel Anyiam-Osigwe for an evening of diversity in action.


The line-up:

Ambition To Live – Dir: Fraser Ayres

Cha Cha Cha – Dir: Ciara Ledward

Driftwood – Dir: James Webber

Pretty Bitch – Dir: Rebecca Coley

Don’t Let The Door Hit You On Your Way Out – Dir: Yannis Tsakiridis

Notes – Dir: Adam Linzey

The Other Side Of The Wall – Dir: Ryan Thompson

Love Prevails – Dir: Segilola Scott & Edith Nwekenta

Glimpse – Dir: Fraser Ayres

Been a Riot – Dir: Alfie Barker

2008 – Dir: Alfred Mante



Total Running Time: 2 hrs 45 mins




#BUFF2013 presents… “The Fade”

Tickets: £10 (including live Q&A with Akosua Annobil, Andy Mundy-Castle & guests)

7 Sept/3.00pm/Genesis



From the producer of award-winning ‘David is Dying’ comes ‘The Fade’: 4 barbers, 4 lives, 1 story... The Fade is an intimate portrait of four Afro barbers across the world over seven days. Set in Ghana, Jamaica, USA and the UK the observational documentary interweaves the stories of the barbers and examines the polarized opposites of the locations. The result is an international dialogue chronicling the colourful lives of four men who do the same thing in different time zones, with very different realities.



Dir: Andy Mundy-Castle (UK/76 mins)




#BUFF2013 presents… “Traveller” (WORLD PREMIERE)

Tickets: £10 (including live Q&A with Jessica Mellor, David Essex OBE, Billy Cook and guests)

8 Sept/6.00pm/Genesis



With a cast list featuring Jason Maza, David Essex OBE and introducing Billy Cook (son of David Essex), the world premiere of ‘Traveller’ is a film from the heart which chronicles a year in the life of a half-breed Gypsy as he tries, against the odds, to adjust to the 21st century and leave his roots behind.


Dir: Benjamin Johns (UK/101 mins)




#BUFF2013 presents… “Bloody Lip” (UK PREMIERE)

Tickets: £10 (including live Q&A with Anjela Lauren Smith, Adriel Leff & guests)

8 Sept/9.00pm/Genesis



‘Bloody Lip’ is the closing night film for BUFF 2013 - an award-winning comedy mockumentary from writer Adriel Leff making his directorial debut and tells the story of working class inner-city middling professional heavyweight boxer Patrick St George Junior (played by Patrick Koupland) who has just seven days to prepare for the fight of his life against childhood rival Liam O'Saink (played by Dominic Koupland) - a bout which, if triumphant, will result in Junior achieving his life's goal; bettering the win/loss record laid down by his domineering father Patrick St George Senior (played by Jon Mckenna) during his own short-lived boxing career. But with a fractious on-again-off-again relationship with his middle class girlfriend Bekka Green (played by Bekka Bowling) and a whole heap of pressure from Liam's menacing promoter Teddy Toddsworth (played by Dominic Mchale) thrown into the mix, what kind of a mental and physical state will Patrick Junior be in come fight night? Win or lose, one thing's for sure; by the end of the week, Patrick St George's life will never be the same again...



Dir: Adriel Leff (UK/52 mins)




#BUFF2013 presents… “Love Nest” (ONLINE EXCLUSIVE)

9 Sept/8.00pm/britishurbanfilmfestival.co.uk 

Dir: Mustafa Boga (UK/13 mins)



#BUFF2013 presents… “Sea Change” (ONLINE EXCLUSIVE)

9 Sept/8.00pm/britishurbanfilmfestival.co.uk

Dir: Marinella Setti (UK/24 mins)



#BUFF2013 presents… “Reckless” (SEASON 2 – EPISODE 3)

9 Sept/8.00pm/britishurbanfilmfestival.co.uk/ONLINE EXCLUSIVE
Dir: Yvonne Phillip/Beau Baptist (UK/12 mins)

#BUFF2013 presents... "The Ting"
9 Sept/8.00pm/britishurbanfilmfestival.co.uk
Dir: Jeremy Cole (UK/4 mins)



#BUFF2013 presents… “Woolwich Boys” (ONLINE EXCLUSIVE)

9 Sept/8.00pm/britishurbanfilmfestival.co.uk  

Dir: Anthony Abuah (UK/88 mins)


All listings are correct at time of going to press (14/08/2013) and subject to change. 
All films carry a 12A certificate. 


20/06/2013

British Urban Film Festival releases details for the BUFF 2013 Opening Night Gala


21/06/2013

For immediate release

 
Organisers of the British Urban Film Festival have today announced that ‘Calloused Hands’ (based on a true story) and directed by former print journalist Jesse Quinones, will be the opening feature film for its’ annual showpiece later this summer. In doing so, the film will be having its European and International premiere as it was first screened at the 2013 Miami International Film Festival.

The film stars Andre Royo from HBO’s ‘The Wire’ and centres on a 12-year-old mixed race boy from Miami (Luca Oriel) with aspirations to be a baseball player. He is abused by his mother's boyfriend Byrd (played by Royo), and neglected by his mother Debbie (Daisy Haggard). He manages to forge his own path in life when his long-lost grandfather Solomon (Hans Howes) insists he study for his Bar Mitzvah.

It’s also been announced today that ‘Hoorah’, the latest short film directed by actor Aml Ameen, will be premiering as the curtain raiser to ‘Calloused Hands’ on the opening night of the festival, to be staged at Odeon West End in Leicester Square on Friday 6 September. The gala screening marks a busy end to the year for the former ‘Kidulthood’ star who is also to feature in upcoming titles ‘The Butler’, ‘The Maze Runner’ and ‘Evidence’.

BUFF 2013 starts with a day of free events at broadcaster Channel 4 on Thursday 5 September including panel discussions on film distribution and entrepreneurship plus the inaugural BUFF live script readings.

Commenting on today’s announcements, Emmanuel Anyiam-Osigwe, director of the British Urban Film Festival said: “We’re excited to give audiences the first opportunity to experience the changing face of urban independent cinema from the heart of London’s West End. Year on year, the festival strives to bring audiences the films that they deserve which continue to embrace and champion diversity in all its forms”.
 

Full details about this year’s festival programme will be unveiled at a press conference at Channel 4 in early July. Tickets go on sale later next month.


#BUFF2013

Follow @buffenterprises @AmlAmeen @JesseQuinones81 @CallousedHands1 on Twitter

Watch the movie trailer here:  http://vimeo.com/57958795
 

The 2013 British Urban Film Festival runs from 5-9 September.
For more information contact pressoffice@buffenterprises.co.uk   


























24/05/2013

The BUFF Blog (May 2013)



Those of you who read last month’s edition of the BUFF Blog will recall that the film in question was entitled ‘Woolwich Boys’ (2012) – the closing movie of last year’s British Urban Film Festival and which recently screened as part of this year’s BUFF Spring Season. For the record, and as is custom with all films that are ever made, disclaimers can occasionally be used to make political or similar points. This is neither. And in light of recent events, BUFF feels compelled to state that although ‘Woolwich Boys’ was based on a true story, all characters that were depicted in it are fictitious and any resemblance to real persons, living or dead, is purely coincidental. The blog in question (in addition to all the BUFF Blogs which have ever been published since April 2009) is still available to read online.

This month’s blog comes from another angle – dealing with the issues of perception, race and the media.
 
The recent BAFTA Television awards (broadcast on BBC One) seemed to reaffirm long-held prejudices (in this country anyway) with no black actors or actresses up for nomination in any of the appropriate categories but yet feature in some of the UK’s most watched and critically acclaimed television programmes.
 
Calling a spade a spade doesn’t apply to the BAFTA awards it seems. For instance – and completely off tangent – if you were the producer of the ITV documentary which exposed Jimmy Savile as a rampant paedophile and which, to this day, is still making the news with revelation after revelation, and you didn’t get the BAFTA award for best current affairs, how would you feel? For the record the award went to a BBC documentary about the Catholic Church and paedophilia…
 
On a lighter note, this month’s blog (guest-written by Ron Belgrave from Sankofa Televisual) welcomes UK audiences to a new brand of light entertainment – follow @buffenterprises and @Sankofa_TV and @AfricaChannelUK on Twitter…


Mirror, Mirror – Caribbean Programmes on British Television

 

There are a number of vertical glass surfaces in any home and many of these can reflect your image. Most of them are ordinary windows which, in the right light and with the right angle, can give a reasonably good reflection. Best of all are, of course, the mirrors which provide a clear (and hopefully pleasing) image. However, the glass surface that most disappoints in terms of reflection is the television screen – particularly if you are Black in Britain.

 

This is true for the 400 or so stations on the Virgin Media cable platform and for the 650+ stations on the Sky satellite platform. But where it matters the most is on the 50+ stations currently occupying the prime Freeview digital terrestrial platform that broadcasts, for free, into the vast majority of the 25 million households in Britain. Due to its huge reach across the population and that it is home to the nation’s flagship TV channels (including the global ranging and “public funded” BBC) Freeview wields immense power in shaping the country’s values and thoughts and how communities are (or aren’t) validated.

 

The issue of the absence of Black faces on TV in Britain has been a longstanding concern going back to the 1970s and remains an unresolved issue. The fear of victimisation and reprisal has hampered many in the industry from speaking openly about what was happening to them and it took actor Patrick Robinson a decade to reveal that he was punished and denied acting roles for ten years after voicing his concerns about the BBC. Recently David Harewood, Morgan Freeman, Lenny Henry, Reggie Yates and Paterson Joseph have all also put their heads above the parapet and talked about the systemic and institutional blockades in the film and television industry in Britain (particularly on the main Freeview channels – BBC, ITV, C4, C5 and Sky). Hopefully united voices will mean that they won’t suffer retribution through denial of work and other punishment.

 

However, what are the roles/stories/programmes that these actors (speaking on behalf of the wider community) are seeking to see on British screens? Probably those that reflect the wide spectrum of the lives of Black people in Britain. That would be wonderful. But would that be enough?

 

Data from the 2011 UK census indicates that there are four interconnecting and overlapping elements of the Black community in Britain – Caribbean, African, Black British and mixed-race.

 

It is probably the Black British element that the actors above have (rightly) most strongly argued for but, despite recent and rare delights such as E4’s Youngers, BBC’s Some Girls and ITV’s Ice Cream Girls, the amount of available content is woefully and disgracefully low. But one has to look way back to the 1970s, 80s and 90s to the times of ‘Empire Road’, ‘The Fosters’, ‘No Problem’, ‘Desmond’s’ and ‘The Real McCoy’ to find any regular Black faces on what would now be Freeview in Britain.

 

Although not on Freeview, the African community has done well to establish successful and sustained TV channels on the Sky satellite network. These channels reflect not only the lives of the British African communities but also strongly reflect the cultures that they still draw on from Africa itself. The existence of these channels also helped to support the development of the first ever British African sitcom series Meet The Adebanjos.

 

The main element of the Black community that is therefore missing from the television screens of Britain is the Caribbean community. Despite Caribbeans living in the UK, in numbers, for over half a century there are no Caribbean channels on any of the platforms and almost no Caribbean content or programmes on any of the other 1,000 channels.

 

There have been attempts to establish channels in the past (such as ACTV and IDTV) but these have not been successful. Others are exploring going online with channels (like BVTV) or web-series (like Brothers With No Game and All About The McKenzies). But despite that, and after 50 years, British Caribbeans still have no regular (non-music) presence on any TV platform in the UK.

 

However, the first step in seeking to get Caribbean content regularly on British airwaves began in May 2013 with the broadcast of the first series to reach the UK from the Caribbean in many years and the first ever from Barbados.

 

Distributed by Sankofa Televisual, “Keeping Up With The Joneses” (KUWTJ) is a mockumentary-sitcom about a fictional family in Barbados. KUWTJ features the Jones family who reluctantly become the subjects of reality show entitled “Life & Times in the Caribbean”.  It requires that a camera crew follow the family around and films their every move. Irving (the father) signs the contract to do the show against Angela’s (his wife) wishes. Now, Irving, Angela, Tracy (their 17-year-old daughter) and Nathan (their 10-year-old son) have to coexist while looking good for the cameras, resulting in embarrassing encounters and hilariously awkward TV moments!

 

When KUWTJ was shown locally by the Caribbean Broadcasting Corporation in 2011 and 2012, it was viewed by record audiences given that it was Barbados’s first sitcom.

 

With a new episode broadcast every weekday in the UK from 13th to 31st May on Sky 209 and Virgin 828 at 2:30pm and 11pm each day, if KUWTJ attracts enough viewers then other Caribbean content may follow in the future. The video trailer can be accessed here.

 

The drive to get Caribbean programmes (dramas, films and other general entertainment) is supported by the results of the 2012 British Caribbean Television Survey where 98% of respondents said that they wanted to watch programmes from the Caribbean on TV in Britain.

 

80% of the respondents also regarded having Caribbean programmes in Britain as important for young people’s development in the British Caribbean community. This is due to concerns that the younger generations growing up in Britain seemed to know less and less about the Caribbean and about their heritage and relations “back home” and whether there is an association with the extent of serious youth violence in Britain which very significantly affects the Black community in general (especially in London) but notably those of Caribbean heritage. The ages of 11 to 15 are crucially important to young people as this is the key period when they are looking to form their own identity and when they need to be able to draw on appropriate cultural reference points. When these reference points do not exist or are not sufficiently visible or mirrored in the media around them, then there is a mismatch which can have negative consequences.

 

In time, if there is sufficient support from viewers, the British Caribbean community may see its Caribbean heritage reflected in the mirror of British television screens (satellite/cable) more regularly but maybe not on Freeview (for the foreseeable future).

 

 

Ron Belgrave is the Director of Sankofa Televisual
 
 
© Ron Belgrave/BUFF Enterprises Ltd MMXIII (All rights reserved).
Those of you who would like to submit a script or a film for board consideration for this year’s British Urban Film Festival please visit the BUFF SUBMISSIONS 2013 page at http://www.britishurbanfilmfestival.co.uk

 
























25/04/2013

The BUFF Blog (April 2013)





Those of you joining us for the first time we thank you. We’d also like to welcome in a new audience to the 34th edition of the BUFF Blog. This month’s contribution is guest-written by Anthony Abuah, a previous winner of a Commonwealth Film award and the latest in a succession of British based playwrights who’ve made the transition from stage to screen with his debut feature 'Woolwich Boys' – the closing film of last year’s British Urban Film Festival. Regarded by many as a post-Nollywood movie, it is one of the few films (made in the UK) to have attracted critical acclaim away from its core base of West African audiences in what’s still regarded as the world’s 3rd biggest film industry. The post-Nollywood era is indicative of the growing sea change in the way that films commonly branded as Nollywood have been perceived by global audiences and appreciated in equal measure over the last 18 months.

Follow @buffenterprises @MrAnthonyAbuah @WoolwichBoys @TFTMProductions on twitter…

Unless you're female, making a film is one of the hardest things you could ever do.
Over 10 days, in October 2011, we shot my debut feature film ‘Woolwich Boys’, with unknown actors and a willing crew. We aimed to make a Naija version of (Martin) Scorsese's ‘Goodfellas’ simply because we felt Nigerians are just as interesting as Italian-Americans. We wanted to shoot in a neo-realist, documentary style in pidgin and Yoruba with English subtitles. Essentially, I wanted to make a film that I’d pay money to see.

Until then, I had written and directed a couple of shorts and plays that did pretty well but was yet to see any kind of mainstream success. I knew the industry was more likely to take me seriously if I made a feature - so we did.

I knew I'd be unable to take any time off my full time teaching job to film, so I looked to the school calendar and figured the best window would be to shoot during the October mid term break. This was June 2011. I began to revise a script I’d written from 2009 called ‘Flash 419’ and renamed it Woolwich Boys. If you haven’t seen it yet, here’s a quick synopsis:

Woolwich Boys focuses on the life of a young man who’s recently moved into the Woolwich area of South East London. He works hard but is unable to maintain himself as a student and is enticed, by his criminal friends, into a life of ‘419’ fraud crime.

It’s important to note that the story is based on real people and set in London nearly a decade ago. 419 is the Nigerian penal code for fraud and the phrase ‘419’ has been made synonymous with Nigerian criminals who defraud everyday people via the internet either through stealing their bank details or requesting large funds being sent to them in return for a much bigger reward. I’m sure most of us have come across these scams. I wrote about this subject because I had seen friends live this life and knew how it worked.

I enlisted my fiancé (now wife) as a co-producer and we began assembling the cast and crew. On cinematography duty was Louis Corallo. He and I made our first film together a few years before and had worked with each other consistently. We went about designing the style of each of the three acts and sourcing a good crew. I then wrote a fourteen page budget proposal to send to potential investors (i.e. friends with cash) but the truth is, I knew nobody. Fortunately for me, my father-in-law saw it and pledged to give us an amount and that was the bulk of our shooting budget. I like the challenge of independent filmmaking and believe a filmmaker’s talent should be judged by what he/she is able to do with little rather than with a lot. It’s incredibly liberating to know your limitations.

The closer we got to the shoot however, the more we realised that we wouldn’t have enough money for post-production. We proceeded anyway and managed to shoot 85% of the script and we were going through 8-10 pages a day. Immediately after we shot, I was back at work with my film, still yet to do edit, but I also needed to line up potential investors. I blitzed social networking, contacted societies, universities and distributors about possibly screening our film for them. You see, we were aware we didn’t have the funds to market it, so we focused on word of mouth from early on.

We had to get people seeing it and talking about it. We heard a lot of NOs but as they say, every cloud has a silver lining. We were invited to our first film festival in Stoke in February 2012, a mere 3 months after filming. Please, don't ever do that to yourself. The film was far from ready and was technically hideous. Despite this, we had a packed house and a good Q&A. Even my old history teacher from school came up. The story was pretty much there, but the technical aspects of the film such as the opening credits and the subtitles weren’t. Despite this, the reviewer still gave us a 6/10 which taught me a massive lesson; Your film is like a newborn baby. Don't be in a rush to show it to everyone, as it might not be ready to be seen. It's okay to show it to small numbers but not at a film festival.

I'm a big fan of Melvin van Peebles and Oscar Micheaux who are guys who loved creative control and believed so much in the films they made. They inspired me to at least try and self-distribute our film in the UK through Tales From The Motherland Productions.

We started hearing back from some of the universities we applied to and began screening the film around the country, much like how an up and coming music artist would. In some cases, we just hired out screening rooms and charged people to come and see the film.
Mr BUFF (Emmanuel Anyiam-Osigwe) got in touch and selected it as the closing film of BUFF 2012. The week we screened at BUFF, we were nominated for 2 Screen Nation Awards. Our screening was packed and nothing short of a success. We've since screened at the BUFF Spring season this past April and our film was listed in the London Metro’s top 5 films to see in London that same week.

At the time of writing, my wife and I came back from Nigeria a few days ago where Woolwich Boys was nominated for an African Movie Academy Award (AMAA). We didn't win, but we got a free all expenses paid trip and made some amazing contacts. I already knew there was an emerging market out there in Africa – but seeing it was incredible.

I met filmmakers from Kenya, South Africa, Malawi, Ghana, Nigerians who weren’t making Nollywood, distributors, festival programmers and other entertainers. I can firmly assure any of you wishing to break into the film industry that Africa is where it’s at. There is a wealth of stories back home which need to be told.

So 18 months on, I’m still not rich, but I've made a feature film - something that a lot of people talk about doing but make excuses. I'm glad I got to do it on my terms and I’m proud of the film we made, despite the financial limitations.

Filmmakers about to shoot an independent feature, try and allocate some funds towards screenings and festival submissions. You need to get your film in front of the right people and especially the right audience. That may be easy to identify in some cases, but in others you may have to endure lots of dismal screenings and rejections. This is harder to take if you've spent all your money.

Having no stars doesn't make your film unable to sell (in fact I prefer the authenticity), you just need to do a lot more work to try and sell it. Ultimately if your film is any good, someone will say so and recommend it. You just need to have faith. I credit my faith in God as the only reason we've even gotten this far as there've been some dark times these last 18 months.

I'm glad I stayed the course and appreciate the opportunity to share a little bit of my story with you. Naturally, I also have to credit my cast and crew, my family and my beautiful missus for believing in me through all this.

Follow me on twitter @MrAnthonyAbuah @WoolwichBoys @TFTMProductions
Woolwich Boys next screens on Friday 26 April 2013 at Oxford Brookes University Student Union. Come down if you're around.


© Anthony Abuah/BUFF Enterprises Ltd MMXIII (All rights reserved).

Those of you who would like to submit a script or a film for board consideration for this year’s British Urban Film Festival please visit the BUFF SUBMISSIONS 2013 page at http://www.britishurbanfilmfestival.co.uk


































































26/03/2013

The BUFF Blog (March 2013)


Pictures courtesy of Sparrow Photography (October 2012).

Happy Easter in advance. This month’s edition of the BUFF Blog is guest-written by actor Jay Brown who can be seen over the next 8 weeks on E4’s new drama ‘Youngers’. The series premiered on Wednesday March 20 with viewing figures of 450,000 viewers. It was also the 5th most tweeted about programme on TV that day beating ITV’s ‘Coronation Street’ with over 35,000 live tweets during transmission.  Follow @JayBrownActor and @buffenterprises on Twitter…

It’s a Thursday morning and the sun has vanished again in London…no surprises there!
An email pings into my inbox: it’s from Emmanuel a.k.a Mr BUFF, asking how I am and, how the promotion for my latest film, The Fall of the Essex Boys, and the new E4 TV series Youngers is coming along. In true Emmanuel fashion he says with one breath, “why not write this month’s blog about what you’ve been up to lately and how it all began?”
So here goes, my first blog and the story of my journey.
Since a young age I was always singing, dancing and acting, in plays, concerts and cabarets. My dad recalls his earliest memory of me at three years old going missing in a Spanish resort, only to be found on stage with the band strumming a little guitar that was designed as a wall decoration.
Film and music were a big part of growing up. I remember my mum always having music on in the house, from The Pet Shop Boys to Eurythmics, Bob Marley to Michael Jackson. The latter was the biggest influence in my life. I would watch endless VHS tapes of Michael, even to the point that my party trick would be the whole dance to Thriller. Looking back, the films I grew up on were ‘The Children’s Golden Age of Cinema’, ‘The Goonies’, ‘Back to the Future’, ‘Flight of the Navigator’, ‘The Princess Bride’, ‘Indiana Jones’, ‘Ghostbusters’, ‘The Karate Kid’ and ‘E.T’. My brother and I would always dress up as the characters, and re-enact the films in our living room.
I started off in a dance group and was in many shows around London including the first Christmas parade on Oxford Street. I then started dancing in music videos and at one point, I was also in a boy group, but my heart was always in acting. Dancing for me was something I loved to do, especially in the Garage club scene where I became known as “Dancing Boy”. When I acted though, I found myself taking on a different state of expression. Dance is ever so much an expression of oneself, but in acting you’re living the life of someone else, and telling their story. My first professional acting credit came pretty late, I was 21.
My younger brother (Duran) was living in the States, and his agent at the time called our house to confirm a casting he had for a short film. As he was out of the country he couldn’t attend, but without hesitation I jumped at the chance, and filled his place. Little did I know that this casting would change everything.
The short film was Tube Poker, a screenplay about playing poker on the London Underground but with people instead of cards. People of different age range represented different card values. I read the script in the waiting room and it really appealed to me with its edgy dialogue and a fantasy story, which could actually be real. My sight reading at the time wasn’t good and I stumbled over the script in the audition. Simon Levene (the director) could see I was having trouble and asked me to cast aside the script and that we were going to do some improvisation instead. Simon asked me a question and I, in character answered; he asked a second; then for the next eight minutes I went on a tirade as the character until the cameraman sheepishly put his hand up and said he ran out of tape ‘minutes ago’. I took this as a good point to exit; I shook hands and thanked them for their time. That evening I received the call that I had been cast in the film; not only that, but that they had changed the ethnicity and I was now the lead character. To say I was over the moon would be an understatement. Tube Poker went on to win many film festival awards and received global acclaim.
In 2007 I met Rikki Beadle-Blair, the multi-talented man who started Noel Clarke’s career and many others. I saw a play he directed and knew from the moment I met this high energy, blonde dreadlocked man, I had to work with him. I started going to the Actors Centre, and did classes with Rikki to learn more and to work under his guidance. One day I received a call from Rikki to meet him at BAFTA for lunch. I was gobsmacked. Not only was I going to BAFTA, but mainly Rikki was asking me to come and talk about a play that he was planning to write. We had a long chat and at the end he offered me to join the production of Screwface. I knew this was going to be special as Rikki casts his actors first and then writes the characters tailored around them.
Anyone who has been part of character development from the beginning will know how special this is. While we were rehearsing forScrewface, Rikki cast me in his second play which was part of the trilogy of plays to be performed in the one week run. This was my first professional theatre experience and I did, not one, but two plays in the same week. Acting on stage is totally different from acting in front of camera. You have to listen so much more, not only to your fellow actors, which is a given, but to the audience. For instance, when the audience laugh in a play I’ve seen many actors just carry on with their lines which get drowned out. Letting the audience settle for you to carry on is a must as every word is important to the story you’re telling. It all comes down to timing as you can be directed where to pause but it is very much down to the actor to learn and listen. Every night is different so be prepared for the unexpected. I personally feel every actor should be honed with the skills to act for stage and screen. They are two different disciplines and should both be respected and worked on together in equal measure.
I’ve since collaborated many times with Rikki over the years, and regard him as a close friend and an inspiring role model.
Fast forward to The Hunters, the big budget feature film, which I was cast as an American, my first role as a non-Brit. I played one of the hunters alongside Steven Waddington (Last of the Mohicans), Tony Becker and Terence Knox (Tour of Duty) and Dianna Agron (Glee) who played the love interest.
To be working, watching and learning alongside such a high calibre of actors was an amazing experience. Practically the whole film was shot in a disused fort in beautiful Metz, north-east France. It was directed and produced by two young French guys who had never made a feature film before – they pulled it off big time. When the film was released in the States (2011), it was one of the fastest selling films during the Christmas period.
The same year The Hunters was filmed, I went to Los Angeles, the Mecca of the film industry. I was in town for the screening of FIT at the Directors Guild of America. Anyone who knows of the DGA on Sunset Boulevard will know what an incredible and historic venue this is. To have a little independent UK Film screened at such a prestigious building was a triumph for all UK film and, to be a part of that was just breathtaking. Standing on the stage at the end with the rest of the cast and Rikki, who directed the film, and seeing the standing ovation of a sell out crowd – I will treasure that forever. FIT follows six characters studying dance and drama at college and how they cope with growing up and finding where they fit socially. The film tackles bullying on all fronts, especially homophobic bullying in schools. The UK government now use the film as an anti-bullying educational tool in every school in England, Wales and Scotland.
My time in LA really opened my eyes to the industry as a whole. LA works totally different, for one, there are so many more job opportunities than the UK. Of course this is because they have a much bigger industry with more production studios, but financially they have more of an infrastructure than we do. The main thing I took away was how upfront American industry people are. This is something I loved, as I believe honesty is the only way to move forward.
In LA the US creatives I came into contact with reinforced my exact thoughts; creatives should get paid to create, simple. You wouldn’t ask a plumber to come and fix your pipes and not pay him, ‘Hey, I’ll tell my friends about you’. Actors should be treated with the same respect. You want an actor to work on your production, pay him/her for their skill that they’re bringing. Los Angeles is definitely somewhere I see myself working and believe there is work for me; it’s now all about timing…
Back to good old Blighty!
Lately I’ve wrapped on three productions. The Fall of the Essex Boys, now on DVD, and the other two soon to be shown, Youngers (at the time of writingand Big Bad World.
But this March it’s all about Youngers, Big Talk and E4’s brand new dramedy TV series which I play Bangs. Bangs is the older protective brother of Jodie, who is involved with the MC of the show. The series follows best friends Jay and Yemi’s journey, becoming the next big thing in the music industry. On the way they meet Davina, and become a threesome known as “The Youngers”. It has been billed as ‘The Inbetweeners’ meets ‘Skins’, by the press. The script (written by Levi Addai) is witty, gritty and truly brilliant. The series isn’t sold on sex, drugs and young people up to mischief, but on friendship, chasing dreams, and growing into adulthood. The series has no swearing, which is brow raising, yet still stays real to its youth surroundings. Nothing this exciting has come out of Peckham since ‘Desmond’s’.
What’s next? Well I’m back in the audition pool with everyone else, but I’m also producing. A friend and I have a production company together and we’re creating our own scripts and searching for scripts. I feel that going into different fields in the business is a natural progression, but my first love and passion will always be acting.
I’ll leave you with two key things I tell every actor when asked if I have any advice:
‘Know your worth’ and ‘Make the dream a reality’
Stay up to date with Jay by going to his website:http://www.jaybrown.tv
Follow him on Twitter: @JayBrownActor
© Jay Brown/BUFF Enterprises Ltd MMXIII (All rights reserved).
Those of you who would like to submit a script or a film for board consideration for this year’s British Urban Film Festival please visit the BUFF SUBMISSIONS 2013 page athttp://www.britishurbanfilmfestival.co.uk